Moving and exploring
Students start the year by exploring how their bodies move. They try big and small movements, fast and slow, and learn to dance in their own space without bumping into friends.
This is the year students discover that their bodies can tell stories. Students try out shapes, speeds, and ways of moving, then connect what they make to songs, books, or moments from their own lives. They also watch others dance and share what they noticed or liked. By spring, students can make up a short dance about something familiar, like a rainstorm or an animal, and show it to the class.
Students start the year by exploring how their bodies move. They try big and small movements, fast and slow, and learn to dance in their own space without bumping into friends.
Students begin inventing their own movements. They turn ideas like animals, weather, or feelings into short dances and start putting moves together in an order that makes sense to them.
Students practice dancing with partners and in groups. They watch what classmates do, copy movements, and learn to share the space while music plays.
Students perform short dances for the class and watch others perform. They talk about what they saw, what the dance reminded them of, and what they liked about it.
Students connect what they know from everyday life to their dancing. A memory, a feeling, or something they noticed outside can become a movement in class.
Dance connects to the world around it. Students begin to notice how dances they see or perform tie to a place, a celebration, or a story from real life.
| Standard | Definition | Code |
|---|---|---|
| Synthesize and relate knowledge and personal experiences to make art | Students connect what they know from everyday life to their dancing. A memory, a feeling, or something they noticed outside can become a movement in class. | DA:Cn10.pk |
| Relate artistic ideas and works with societal, cultural | Dance connects to the world around it. Students begin to notice how dances they see or perform tie to a place, a celebration, or a story from real life. | DA:Cn11.pk |
Students come up with their own ideas for movement and start turning those ideas into a simple dance or gesture.
Students choose movements and put them together to make a short dance. They decide what comes first, what comes next, and how the dance ends.
Students practice a movement or short dance phrase more than once, then decide when it feels ready to share.
| Standard | Definition | Code |
|---|---|---|
| Generate and conceptualize artistic ideas and work | Students come up with their own ideas for movement and start turning those ideas into a simple dance or gesture. | DA:Cr1.pk |
| Organize and develop artistic ideas and work | Students choose movements and put them together to make a short dance. They decide what comes first, what comes next, and how the dance ends. | DA:Cr2.pk |
| Refine and complete artistic work | Students practice a movement or short dance phrase more than once, then decide when it feels ready to share. | DA:Cr3.pk |
Students choose a dance or movement to show others, deciding what feels right to perform and share.
Students practice a dance move, then try it again to make it a little better before showing others.
Students perform a short dance to share a feeling or idea with an audience, using movement as their message.
| Standard | Definition | Code |
|---|---|---|
| Analyze, interpret, and select artistic work for presentation | Students choose a dance or movement to show others, deciding what feels right to perform and share. | DA:Pr4.pk |
| Develop and refine artistic techniques and work for presentation | Students practice a dance move, then try it again to make it a little better before showing others. | DA:Pr5.pk |
| Convey meaning through the presentation of artistic work | Students perform a short dance to share a feeling or idea with an audience, using movement as their message. | DA:Pr6.pk |
Students look at a dance and share what they notice about how the body moves. This is an early step in learning to pay attention to movement and talk about what they see.
Students look at a dance and say what they think the dancer is trying to show, such as an emotion or a story. There are no wrong answers, just reasons.
Students look at a dance or movement and say what they liked and why. They start to notice what makes a performance feel interesting or fun to watch.
| Standard | Definition | Code |
|---|---|---|
| Perceive and analyze artistic work | Students look at a dance and share what they notice about how the body moves. This is an early step in learning to pay attention to movement and talk about what they see. | DA:Re7.pk |
| Interpret intent and meaning in artistic work | Students look at a dance and say what they think the dancer is trying to show, such as an emotion or a story. There are no wrong answers, just reasons. | DA:Re8.pk |
| Apply criteria to evaluate artistic work | Students look at a dance or movement and say what they liked and why. They start to notice what makes a performance feel interesting or fun to watch. | DA:Re9.pk |
Dance at this age is movement play. Students copy animal movements, sway to music, freeze and go, and make up their own shapes with their bodies. The point is to notice how the body moves and to feel comfortable moving in front of others.
Put on music and move together for five minutes. Try fast and slow, big and small, high and low. Ask what the song makes them want to do, then copy each other's moves. That counts as real practice.
No. The focus is on exploring how the body moves, not memorizing steps or routines. Skipping, spinning, stretching, and balancing all count. Formal technique comes much later.
Start with body awareness and personal space, then add the elements one at a time: speed, level, direction, and shape. Mid-year, bring in short movement stories tied to books or seasons. End the year with simple share-outs where students show a movement idea to the class.
Students can move in time with music, control starting and stopping, and show at least two contrasting movements such as fast and slow. They can also watch a peer dance and say one thing they noticed.
Start side by side instead of face to face, and let them watch before joining in. Scarves, ribbons, or a stuffed animal partner give shy movers something to focus on besides themselves. Comfort builds with repetition.
Personal space and freezing on a signal. Many students need repeated practice keeping their movement inside their own bubble and stopping their bodies when the music stops. Build these into warm-ups all year.
Movement supports counting, rhythm, listening, and following directions. It also gives students a way to act out stories and feelings before they can write them down. A two-minute movement break often resets focus for the next activity.