Close reading and analysis
Students dig into challenging stories, essays, and articles. They pull specific lines from a text to back up what they think it means, and they track how an author's word choices shape the mood.
This is the year reading and writing start to look like college work. Students wrestle with dense books, essays, and arguments, weighing how a writer's word choices and reasoning hold up under scrutiny. Writing stretches into longer research papers and arguments built on evidence from several sources at once. By spring, students can draft a clear, well-supported essay and speak confidently about what they read.
Students dig into challenging stories, essays, and articles. They pull specific lines from a text to back up what they think it means, and they track how an author's word choices shape the mood.
Students write longer argument papers built on real research. They learn to judge whether a source is trustworthy, weave quotes into their own writing, and credit the people whose ideas they use.
Students read two or more works on the same topic and figure out where the writers agree, disagree, or shade the truth. They also look at how a speaker uses reasoning to win over a listener.
Students write stories and explanatory pieces that handle complicated ideas or experiences. They plan, revise, and rework drafts so the writing reads cleanly for a real audience.
Students give prepared presentations, lead discussions, and use slides or visuals to make their point land. They polish grammar and academic vocabulary so their writing and speaking sound ready for college or work.
Students back up every claim about a story or poem with a direct quote or detail from the text. In high school, that means the evidence fits the point precisely, not just loosely.
Students identify the main ideas in a novel, play, or poem and trace how those ideas build across the text. Then they pull the key details together into a clear, accurate summary.
Students trace how characters, events, and ideas shift and connect as a story or poem moves forward, explaining why those changes happen, not just noting that they do.
Students read closely to figure out what words actually mean in context, including hidden feelings a word carries or a comparison the author is making. Then students explain how those word choices shift the mood or meaning of the whole passage.
Students look at how a paragraph or scene connects to the rest of a story or essay. They explain how one part sets up, complicates, or resolves what comes before or after it.
Students read a text and figure out how the author's perspective or goal changes what gets included and how the writing sounds. A war memoir written by a soldier reads differently than one written by a journalist covering the same events.
Students compare what a written text says with how the same idea is shown in a video, chart, or image, then judge which version makes the point more clearly or completely.
Students read a piece of writing and decide whether the author's argument holds up. They check if the reasoning makes sense and if the evidence actually supports the point being made.
Students read two or more texts on the same theme and compare how each author approaches it. The goal is to understand what the texts share, where they differ, and what that reveals about each author's choices.
Students read full-length novels, plays, poems, and essays on their own without help decoding vocabulary or following the argument. The texts at this level are genuinely complex.
| Standard | Definition | Code |
|---|---|---|
| Cite Textual Evidence Grades 11-12 | Students back up every claim about a story or poem with a direct quote or detail from the text. In high school, that means the evidence fits the point precisely, not just loosely. | ME-ELA.RL.11-12.1 |
| Central Ideas Grades 11-12 | Students identify the main ideas in a novel, play, or poem and trace how those ideas build across the text. Then they pull the key details together into a clear, accurate summary. | ME-ELA.RL.11-12.2 |
| Analyze Development Grades 11-12 | Students trace how characters, events, and ideas shift and connect as a story or poem moves forward, explaining why those changes happen, not just noting that they do. | ME-ELA.RL.11-12.3 |
| Word Meanings Grades 11-12 | Students read closely to figure out what words actually mean in context, including hidden feelings a word carries or a comparison the author is making. Then students explain how those word choices shift the mood or meaning of the whole passage. | ME-ELA.RL.11-12.4 |
| Text Structure Grades 11-12 | Students look at how a paragraph or scene connects to the rest of a story or essay. They explain how one part sets up, complicates, or resolves what comes before or after it. | ME-ELA.RL.11-12.5 |
| Point of View Grades 11-12 | Students read a text and figure out how the author's perspective or goal changes what gets included and how the writing sounds. A war memoir written by a soldier reads differently than one written by a journalist covering the same events. | ME-ELA.RL.11-12.6 |
| Integrate Diverse Media Grades 11-12 | Students compare what a written text says with how the same idea is shown in a video, chart, or image, then judge which version makes the point more clearly or completely. | ME-ELA.RL.11-12.7 |
| Evaluate Arguments Grades 11-12 | Students read a piece of writing and decide whether the author's argument holds up. They check if the reasoning makes sense and if the evidence actually supports the point being made. | ME-ELA.RL.11-12.8 |
| Compare Texts Grades 11-12 | Students read two or more texts on the same theme and compare how each author approaches it. The goal is to understand what the texts share, where they differ, and what that reveals about each author's choices. | ME-ELA.RL.11-12.9 |
| Range of Reading Grades 11-12 | Students read full-length novels, plays, poems, and essays on their own without help decoding vocabulary or following the argument. The texts at this level are genuinely complex. | ME-ELA.RL.11-12.10 |
Students back up every claim with a direct quote or specific detail pulled from the text. For harder questions, they also read between the lines and explain how the evidence supports their conclusion.
Students identify the main point of a nonfiction text and trace how the author builds that point across paragraphs. Then students write a summary that captures the key details without letting their own opinions get in the way.
Students trace how a person, event, or idea changes from the beginning of a text to the end, and explain why those changes happen. The focus is on how one thing shapes another as the text unfolds.
Students read a nonfiction passage and figure out what specific words mean in context, including technical terms, implied feelings, and figurative language. Then they explain how those word choices shape the overall tone or argument.
Students look at how a paragraph or section connects to the rest of an article or essay. They explain why the author placed information in that order and how each part supports the overall argument.
Students read a nonfiction piece and figure out why the author wrote it, then trace how that motive changes what gets included, what gets left out, and how formal or casual the writing sounds.
Students read an article, study a related chart or graph, and watch a clip on the same topic, then judge whether each source adds something the others miss.
Students read a nonfiction passage and judge whether the author's argument holds up. They check if the reasoning actually makes sense and if the evidence connects to the point being made.
Students read two or more nonfiction pieces on the same topic and compare how each author frames the subject, what each leaves in or out, and what a reader learns by putting the two side by side.
Students read long, difficult nonfiction on their own, without help decoding the meaning. By the end of high school, they handle dense articles, essays, and primary sources well enough to work through them independently.
| Standard | Definition | Code |
|---|---|---|
| Cite Textual Evidence Grades 11-12 | Students back up every claim with a direct quote or specific detail pulled from the text. For harder questions, they also read between the lines and explain how the evidence supports their conclusion. | ME-ELA.RI.11-12.1 |
| Central Ideas Grades 11-12 | Students identify the main point of a nonfiction text and trace how the author builds that point across paragraphs. Then students write a summary that captures the key details without letting their own opinions get in the way. | ME-ELA.RI.11-12.2 |
| Analyze Development Grades 11-12 | Students trace how a person, event, or idea changes from the beginning of a text to the end, and explain why those changes happen. The focus is on how one thing shapes another as the text unfolds. | ME-ELA.RI.11-12.3 |
| Word Meanings Grades 11-12 | Students read a nonfiction passage and figure out what specific words mean in context, including technical terms, implied feelings, and figurative language. Then they explain how those word choices shape the overall tone or argument. | ME-ELA.RI.11-12.4 |
| Text Structure Grades 11-12 | Students look at how a paragraph or section connects to the rest of an article or essay. They explain why the author placed information in that order and how each part supports the overall argument. | ME-ELA.RI.11-12.5 |
| Point of View Grades 11-12 | Students read a nonfiction piece and figure out why the author wrote it, then trace how that motive changes what gets included, what gets left out, and how formal or casual the writing sounds. | ME-ELA.RI.11-12.6 |
| Integrate Diverse Media Grades 11-12 | Students read an article, study a related chart or graph, and watch a clip on the same topic, then judge whether each source adds something the others miss. | ME-ELA.RI.11-12.7 |
| Evaluate Arguments Grades 11-12 | Students read a nonfiction passage and judge whether the author's argument holds up. They check if the reasoning actually makes sense and if the evidence connects to the point being made. | ME-ELA.RI.11-12.8 |
| Compare Texts Grades 11-12 | Students read two or more nonfiction pieces on the same topic and compare how each author frames the subject, what each leaves in or out, and what a reader learns by putting the two side by side. | ME-ELA.RI.11-12.9 |
| Range of Reading Grades 11-12 | Students read long, difficult nonfiction on their own, without help decoding the meaning. By the end of high school, they handle dense articles, essays, and primary sources well enough to work through them independently. | ME-ELA.RI.11-12.10 |
Students write a formal argument on a serious topic or text, backing up each claim with solid reasoning and specific evidence from credible sources.
Students write essays or reports that explain a complex topic clearly, using well-chosen details and organized thinking. The goal is accuracy and clarity, not argument.
Students write a story, real or imagined, using specific details and a clear sequence of events. The writing shows control over pacing, point of view, and how scenes unfold.
Writing should fit the situation. Students match how they organize and phrase their writing to the assignment, whether that means a tight argument, a researched report, or a personal reflection aimed at a specific reader.
Students plan, draft, revise, and edit their writing until it says what they mean. That might mean rewriting a whole section or trying a completely different approach.
Students use word processors, websites, and online tools to write, publish, and share work with real readers. That includes giving feedback to peers and working together on shared documents.
Students pick a focused question and research it, either quickly or over several weeks. They show what they learned by writing something that reflects genuine understanding of the topic, not just a collection of copied facts.
Students pull information from several sources, check whether each one is trustworthy and accurate, and weave the details into their own writing without copying someone else's words.
Students pull quotes and details from books, articles, or other sources to back up their analysis or research. The writing shows where each idea came from and why the evidence fits the argument.
Students practice writing often, for many different reasons and readers. Some pieces take days to develop; others get done in a single sitting.
| Standard | Definition | Code |
|---|---|---|
| Arguments Grades 11-12 | Students write a formal argument on a serious topic or text, backing up each claim with solid reasoning and specific evidence from credible sources. | ME-ELA.W.11-12.1 |
| Informative Texts Grades 11-12 | Students write essays or reports that explain a complex topic clearly, using well-chosen details and organized thinking. The goal is accuracy and clarity, not argument. | ME-ELA.W.11-12.2 |
| Narratives Grades 11-12 | Students write a story, real or imagined, using specific details and a clear sequence of events. The writing shows control over pacing, point of view, and how scenes unfold. | ME-ELA.W.11-12.3 |
| Coherent Writing Grades 11-12 | Writing should fit the situation. Students match how they organize and phrase their writing to the assignment, whether that means a tight argument, a researched report, or a personal reflection aimed at a specific reader. | ME-ELA.W.11-12.4 |
| Revision Process Grades 11-12 | Students plan, draft, revise, and edit their writing until it says what they mean. That might mean rewriting a whole section or trying a completely different approach. | ME-ELA.W.11-12.5 |
| Use Technology Grades 11-12 | Students use word processors, websites, and online tools to write, publish, and share work with real readers. That includes giving feedback to peers and working together on shared documents. | ME-ELA.W.11-12.6 |
| Research Projects Grades 11-12 | Students pick a focused question and research it, either quickly or over several weeks. They show what they learned by writing something that reflects genuine understanding of the topic, not just a collection of copied facts. | ME-ELA.W.11-12.7 |
| Gather Information Grades 11-12 | Students pull information from several sources, check whether each one is trustworthy and accurate, and weave the details into their own writing without copying someone else's words. | ME-ELA.W.11-12.8 |
| Cite Evidence Grades 11-12 | Students pull quotes and details from books, articles, or other sources to back up their analysis or research. The writing shows where each idea came from and why the evidence fits the argument. | ME-ELA.W.11-12.9 |
| Range of Writing Grades 11-12 | Students practice writing often, for many different reasons and readers. Some pieces take days to develop; others get done in a single sitting. | ME-ELA.W.11-12.10 |
Students come to discussions having read or thought through the material beforehand, then build on what others say rather than just waiting for their turn to talk.
Students pull together information from sources like charts, speeches, and videos to form a clear picture of a topic, then judge how well each source makes its case.
Students listen to a speech or presentation and judge whether the speaker's argument holds up: Is the reasoning sound? Is the evidence real? Are persuasion tactics being used fairly?
Students organize a speech or presentation so the main argument is easy to follow, choosing the right tone and level of detail for who is listening and why.
Students choose charts, images, or video clips to back up what they say in a presentation. The visual does real work, not just decoration.
Students adjust how they speak based on who they're talking to and why. In a job interview or class presentation, they shift to formal English; in a small group discussion, they might speak more casually.
| Standard | Definition | Code |
|---|---|---|
| Collaborative Discussions Grades 11-12 | Students come to discussions having read or thought through the material beforehand, then build on what others say rather than just waiting for their turn to talk. | ME-ELA.SL.11-12.1 |
| Integrate Information Grades 11-12 | Students pull together information from sources like charts, speeches, and videos to form a clear picture of a topic, then judge how well each source makes its case. | ME-ELA.SL.11-12.2 |
| Evaluate Speaker Grades 11-12 | Students listen to a speech or presentation and judge whether the speaker's argument holds up: Is the reasoning sound? Is the evidence real? Are persuasion tactics being used fairly? | ME-ELA.SL.11-12.3 |
| Present Ideas Grades 11-12 | Students organize a speech or presentation so the main argument is easy to follow, choosing the right tone and level of detail for who is listening and why. | ME-ELA.SL.11-12.4 |
| Use Visual Displays Grades 11-12 | Students choose charts, images, or video clips to back up what they say in a presentation. The visual does real work, not just decoration. | ME-ELA.SL.11-12.5 |
| Adapt Speech Grades 11-12 | Students adjust how they speak based on who they're talking to and why. In a job interview or class presentation, they shift to formal English; in a small group discussion, they might speak more casually. | ME-ELA.SL.11-12.6 |
Students apply standard English grammar rules in their writing and speaking. This means choosing correct verb forms, pronoun cases, and sentence structures without having to think twice about them.
Students write without capitalization, punctuation, or spelling errors. At this level, that means handling complex sentences correctly, every time, without prompting.
Students adjust word choice and sentence structure to fit the situation, whether writing a formal essay or a casual email. They also notice how those same choices shape meaning when they read or listen to others.
When students hit an unfamiliar word, they figure out what it means by reading the surrounding sentences, breaking the word into roots or prefixes, or looking it up in a dictionary or subject-specific reference.
Students interpret figurative language like metaphors and irony, explore how words relate to each other, and notice the subtle differences in meaning between words that seem nearly identical.
Students learn and use the precise vocabulary that shows up in college courses, job training, and professional writing. The focus is on words that cross subjects, plus the specific terms each field relies on.
| Standard | Definition | Code |
|---|---|---|
| Standard Grammar Grades 11-12 | Students apply standard English grammar rules in their writing and speaking. This means choosing correct verb forms, pronoun cases, and sentence structures without having to think twice about them. | ME-ELA.L.11-12.1 |
| Spelling and Punctuation Grades 11-12 | Students write without capitalization, punctuation, or spelling errors. At this level, that means handling complex sentences correctly, every time, without prompting. | ME-ELA.L.11-12.2 |
| Style Grades 11-12 | Students adjust word choice and sentence structure to fit the situation, whether writing a formal essay or a casual email. They also notice how those same choices shape meaning when they read or listen to others. | ME-ELA.L.11-12.3 |
| Word Strategies Grades 11-12 | When students hit an unfamiliar word, they figure out what it means by reading the surrounding sentences, breaking the word into roots or prefixes, or looking it up in a dictionary or subject-specific reference. | ME-ELA.L.11-12.4 |
| Figurative Language Grades 11-12 | Students interpret figurative language like metaphors and irony, explore how words relate to each other, and notice the subtle differences in meaning between words that seem nearly identical. | ME-ELA.L.11-12.5 |
| Academic Vocabulary Grades 11-12 | Students learn and use the precise vocabulary that shows up in college courses, job training, and professional writing. The focus is on words that cross subjects, plus the specific terms each field relies on. | ME-ELA.L.11-12.6 |
Maine administers the SAT School Day to all 11th-grade students free of charge as part of the state's accountability system.
Students read challenging books, articles, and essays and write about them with real evidence. They build longer arguments, conduct research, and discuss ideas with classmates. The work mirrors what students face in college courses and on the job.
Ask students to read a few pages aloud and then explain what the author is actually arguing. Talk about one tricky sentence and what each word is doing. Ten minutes of real conversation about a text beats an hour of silent rereading.
Have students talk through their argument before writing a single sentence. Ask what they think and why, then push for one specific quote or fact that backs it up. Most stuck writers are stuck on the idea, not the words.
Start with short claim-and-evidence paragraphs tied to one source, then move to counterargument and synthesis across two or three sources. Save the longer research paper for later, once students can hold a line of reasoning over several paragraphs. Revision cycles matter more than new prompts.
Integrating evidence smoothly, evaluating source credibility, and analyzing how an author's choices shape tone. Many students can summarize a text but stall when asked to explain why a writer made a specific move. Plan to revisit these skills in every unit, not just one.
Yes, but the focus shifts from rules to choices. Students learn how sentence length, punctuation, and word choice change the effect on a reader. Clean conventions still count, especially in formal writing.
Students should be able to read a dense article on their own, summarize the argument, and write a few paragraphs that quote the text accurately. They should also handle feedback and revise without starting over. If those feel solid, they are on track.
Aim for steady reading most nights, even just twenty minutes. Mix assigned books with anything the student picks themselves, including journalism, biography, or fiction. Volume builds the stamina needed for longer texts in college.
Students should pose a focused question, pull from several credible sources, and weave the information into their own analysis without copying. Expect a clear thesis, accurate citations, and a piece that sounds like the student rather than the sources. Build up to this with shorter research tasks first.