Settling into reading habits
Students start the year building the routines that carry their reading. They set a purpose before opening a book, ask questions as they go, and reread when something stops making sense.
This is the year reading shifts from understanding what a text says to figuring out why the author wrote it that way. Students dig into word choice, structure, and the small craft moves that shape how a story or article lands. Writing gets more deliberate too, with real planning, revising, and editing rather than one-and-done drafts. By spring, students can pull quotes from two sources, weigh which one is more trustworthy, and build a clear argument paragraph that backs up their claim.
Students start the year building the routines that carry their reading. They set a purpose before opening a book, ask questions as they go, and reread when something stops making sense.
Students move past surface details and start pulling quotes and examples from the page to back up what they think. They also practice saying a long passage in their own words without losing the point.
Students look at how authors build a story or article. They notice word choice, imagery, and structure, and talk about why a writer picked one word or one ending over another.
Students draft personal stories, informational pieces, and arguments. They plan before drafting, then revise for clarity and edit for grammar, capitalization, and punctuation.
Students pick a question worth answering and track down sources to answer it. They learn to tell a firsthand account from a secondhand one, judge whether a source is trustworthy, and cite what they used.
Students decide why they're reading before they start. That focus helps them notice what matters most in the text and stay with it when the reading gets harder.
Before, during, and after reading, students ask their own questions about the text to push past surface understanding and find answers in what they read.
Students predict what will happen next in a reading, then check whether they were right by looking back at how the text is built and what the author included.
Reading a text, students link what they find to something they have lived, to another book or article they know, or to something happening in the world around them.
Reading between the lines is a skill. Students figure out what a text implies, then point to specific words or sentences that back up their thinking.
Students restate what a passage says in their own words, keeping the main ideas in the right order without changing what the text means.
Students pull ideas from several texts or sources, then combine what they learn to reach a conclusion or form an opinion that no single source gave them on its own.
When a paragraph stops making sense, students know how to fix it. They reread, connect the text to what they already know, write notes in the margins, or ask a question to get back on track.
| Standard | Definition | Code |
|---|---|---|
| Establish Purpose | Students decide why they're reading before they start. That focus helps them notice what matters most in the text and stay with it when the reading gets harder. | TX-ELAR.COMP.7.1 |
| Generate Questions | Before, during, and after reading, students ask their own questions about the text to push past surface understanding and find answers in what they read. | TX-ELAR.COMP.7.2 |
| Make and Confirm Predictions | Students predict what will happen next in a reading, then check whether they were right by looking back at how the text is built and what the author included. | TX-ELAR.COMP.7.3 |
| Make Connections | Reading a text, students link what they find to something they have lived, to another book or article they know, or to something happening in the world around them. | TX-ELAR.COMP.7.4 |
| Inferences and Evidence | Reading between the lines is a skill. Students figure out what a text implies, then point to specific words or sentences that back up their thinking. | TX-ELAR.COMP.7.5 |
| Summarize | Students restate what a passage says in their own words, keeping the main ideas in the right order without changing what the text means. | TX-ELAR.COMP.7.6 |
| Synthesize | Students pull ideas from several texts or sources, then combine what they learn to reach a conclusion or form an opinion that no single source gave them on its own. | TX-ELAR.COMP.7.7 |
| Self-Monitor | When a paragraph stops making sense, students know how to fix it. They reread, connect the text to what they already know, write notes in the margins, or ask a question to get back on track. | TX-ELAR.COMP.7.8 |
Students connect what they read to their own life, explaining how a story, article, or other source relates to something they've already experienced or believed.
Students read two or more texts and write about how they connect, overlap, or differ. The focus is on pulling specific details from each source to back up every point.
Students back up their answers with specific details, quotes, or examples pulled directly from what they read. The evidence has to actually fit the point they are making.
Students restate what a text says in their own words without changing what it actually means. This covers retelling a story beat by beat, paraphrasing a section, or boiling the whole piece down to the key points.
Students mark up a text, jot notes in the margins, or sketch ideas to make sense of what they read or hear. The goal is to think on paper, not just consume the source.
| Standard | Definition | Code |
|---|---|---|
| Describe Personal Connections | Students connect what they read to their own life, explaining how a story, article, or other source relates to something they've already experienced or believed. | TX-ELAR.RESP.7.1 |
| Write Responses | Students read two or more texts and write about how they connect, overlap, or differ. The focus is on pulling specific details from each source to back up every point. | TX-ELAR.RESP.7.2 |
| Use Text Evidence | Students back up their answers with specific details, quotes, or examples pulled directly from what they read. The evidence has to actually fit the point they are making. | TX-ELAR.RESP.7.3 |
| Retell Texts | Students restate what a text says in their own words without changing what it actually means. This covers retelling a story beat by beat, paraphrasing a section, or boiling the whole piece down to the key points. | TX-ELAR.RESP.7.4 |
| Interact with Sources | Students mark up a text, jot notes in the margins, or sketch ideas to make sense of what they read or hear. The goal is to think on paper, not just consume the source. | TX-ELAR.RESP.7.5 |
Students identify how a story's plot, characters, setting, and theme work together to shape its meaning. They practice this across fiction, poetry, nonfiction, and drama.
Students look at how a text is built, whether it's a poem, a news article, or a short story, and think about why that shape affects what the text means and how it feels to read.
Students identify what makes different types of writing work: how an argument builds a case, how a news article or essay organizes facts, and how a story or poem is put together.
| Standard | Definition | Code |
|---|---|---|
| Literary Elements | Students identify how a story's plot, characters, setting, and theme work together to shape its meaning. They practice this across fiction, poetry, nonfiction, and drama. | TX-ELAR.GENRE.7.1 |
| Structure and Form | Students look at how a text is built, whether it's a poem, a news article, or a short story, and think about why that shape affects what the text means and how it feels to read. | TX-ELAR.GENRE.7.2 |
| Genres | Students identify what makes different types of writing work: how an argument builds a case, how a news article or essay organizes facts, and how a story or poem is put together. | TX-ELAR.GENRE.7.3 |
Students look at why an author made specific choices in a text, like word choice or structure, and figure out what effect those choices have on the reader the author had in mind.
Students look at how an author uses headings, photos, captions, charts, or other visual elements to make a point or guide the reader through the text.
Students look at why an author chose specific words, considering both the dictionary meaning and the emotional weight those words carry. They also examine how comparisons and sensory details shape the feeling of a text.
Students look at how an author's choices, like metaphors, irony, or imagery, change how a reader feels or thinks about a story. The goal is to see how those tools shape the reading experience from the inside out.
| Standard | Definition | Code |
|---|---|---|
| Purpose and Audience | Students look at why an author made specific choices in a text, like word choice or structure, and figure out what effect those choices have on the reader the author had in mind. | TX-ELAR.AUTHOR.7.1 |
| Print and Graphic Features | Students look at how an author uses headings, photos, captions, charts, or other visual elements to make a point or guide the reader through the text. | TX-ELAR.AUTHOR.7.2 |
| Word Choice | Students look at why an author chose specific words, considering both the dictionary meaning and the emotional weight those words carry. They also examine how comparisons and sensory details shape the feeling of a text. | TX-ELAR.AUTHOR.7.3 |
| Literary Devices | Students look at how an author's choices, like metaphors, irony, or imagery, change how a reader feels or thinks about a story. The goal is to see how those tools shape the reading experience from the inside out. | TX-ELAR.AUTHOR.7.4 |
Writing isn't just drafting and turning it in. Students plan, write, revise, and edit repeatedly, moving back and forth between steps until the piece is clear and correctly written.
Students choose the right type of writing for what they're trying to say. A personal story, an argument, or an explanation each calls for a different approach, and this standard is where students learn to make that call before they start writing.
Students take an early draft and shape it into a finished piece: one clear focus, a logical structure, and sentences that flow from start to finish.
Students go back through a draft and make it better: tightening sentences, strengthening ideas, reordering paragraphs, and swapping weak words for sharper ones.
Students go back through their writing to fix grammar, capitalization, punctuation, and spelling before the work is finished. This is the editing stage, where small errors get corrected so the writing is clear and ready to share.
Students take a finished piece of writing and share it with a real audience, choosing a format that fits the purpose, whether that means printing, posting, or presenting.
| Standard | Definition | Code |
|---|---|---|
| Writing Process | Writing isn't just drafting and turning it in. Students plan, write, revise, and edit repeatedly, moving back and forth between steps until the piece is clear and correctly written. | TX-ELAR.COMPOSE.7.1 |
| Plan a Draft | Students choose the right type of writing for what they're trying to say. A personal story, an argument, or an explanation each calls for a different approach, and this standard is where students learn to make that call before they start writing. | TX-ELAR.COMPOSE.7.2 |
| Develop Drafts | Students take an early draft and shape it into a finished piece: one clear focus, a logical structure, and sentences that flow from start to finish. | TX-ELAR.COMPOSE.7.3 |
| Revise Drafts | Students go back through a draft and make it better: tightening sentences, strengthening ideas, reordering paragraphs, and swapping weak words for sharper ones. | TX-ELAR.COMPOSE.7.4 |
| Edit Drafts | Students go back through their writing to fix grammar, capitalization, punctuation, and spelling before the work is finished. This is the editing stage, where small errors get corrected so the writing is clear and ready to share. | TX-ELAR.COMPOSE.7.5 |
| Publish Writing | Students take a finished piece of writing and share it with a real audience, choosing a format that fits the purpose, whether that means printing, posting, or presenting. | TX-ELAR.COMPOSE.7.6 |
Students write personal stories and poems, using the techniques that make each form work: pacing in a narrative, line breaks in a poem, specific details throughout.
Students write nonfiction pieces like reports or how-to guides, choosing the right structure and details to explain a topic clearly. The focus is on organizing information so a reader can follow and learn from it.
Students write a persuasive piece that takes a clear position on an issue and backs it up with reasons and evidence. The goal is to convince a real reader, not just complete an assignment.
Students write letters, emails, or other messages that say what they mean without extra words. The tone and details match whoever will read it, whether that's a friend, a teacher, or someone they've never met.
| Standard | Definition | Code |
|---|---|---|
| Compose Literary Texts | Students write personal stories and poems, using the techniques that make each form work: pacing in a narrative, line breaks in a poem, specific details throughout. | TX-ELAR.WRITEGEN.7.1 |
| Compose Informational Texts | Students write nonfiction pieces like reports or how-to guides, choosing the right structure and details to explain a topic clearly. The focus is on organizing information so a reader can follow and learn from it. | TX-ELAR.WRITEGEN.7.2 |
| Compose Argumentative Texts | Students write a persuasive piece that takes a clear position on an issue and backs it up with reasons and evidence. The goal is to convince a real reader, not just complete an assignment. | TX-ELAR.WRITEGEN.7.3 |
| Compose Correspondence | Students write letters, emails, or other messages that say what they mean without extra words. The tone and details match whoever will read it, whether that's a friend, a teacher, or someone they've never met. | TX-ELAR.WRITEGEN.7.4 |
Students come up with questions about a topic before they start researching it, then sharpen those questions until they're focused enough to actually investigate.
Students map out a plan for finding information on a topic, then collect sources that actually answer their research question. A teacher helps guide the process.
Students find and collect information from multiple sources, like books, articles, and websites, that actually relate to their topic. They practice sorting out what's useful from what isn't.
Students learn to tell the difference between a firsthand source (a diary, a speech, a photograph) and a secondhand source (a textbook, a news article) and then judge whether each one can be trusted.
Students pull information from multiple sources together into one clear explanation, then show where each idea came from by citing the source.
| Standard | Definition | Code |
|---|---|---|
| Generate Inquiry Questions | Students come up with questions about a topic before they start researching it, then sharpen those questions until they're focused enough to actually investigate. | TX-ELAR.INQUIRY.7.1 |
| Develop Research Plan | Students map out a plan for finding information on a topic, then collect sources that actually answer their research question. A teacher helps guide the process. | TX-ELAR.INQUIRY.7.2 |
| Identify Sources | Students find and collect information from multiple sources, like books, articles, and websites, that actually relate to their topic. They practice sorting out what's useful from what isn't. | TX-ELAR.INQUIRY.7.3 |
| Differentiate Source Types | Students learn to tell the difference between a firsthand source (a diary, a speech, a photograph) and a secondhand source (a textbook, a news article) and then judge whether each one can be trusted. | TX-ELAR.INQUIRY.7.4 |
| Demonstrate Understanding | Students pull information from multiple sources together into one clear explanation, then show where each idea came from by citing the source. | TX-ELAR.INQUIRY.7.5 |
STAAR Reading Language Arts is the spring summative test for middle-grade ELAR. Students answer multiple-choice, constructed-response, and extended-constructed-response items aligned to the TEKS.
Annual assessment of English language proficiency in listening, speaking, reading, and writing for students identified as English learners in grades K-12.
Students read a wide mix of stories, articles, and arguments, and write longer responses backed by evidence from the text. They build longer essays through planning, drafting, and revising. Research projects ask them to pull ideas from several sources and put them together in their own words.
Ask one quick question before reading and one after: what do you think this is about, and what made you change your mind? When students get stuck, have them reread the paragraph aloud. Talking through a confusing part is often more useful than pushing to the next page.
Pause every page or two and ask students to say the main idea in one sentence. If they cannot, that is the spot to reread. Sticky notes or a quick margin scribble give students a place to slow down and catch the meaning before moving on.
Start with personal narrative to build voice and sentence control, then move to informational writing so students practice structure and source use. Save argument for later in the year once students can hold a clear thesis and cite text evidence. Correspondence and short responses fit between bigger units.
Using text evidence well. Students often drop in a quote without explaining how it supports the point. Plan short, repeated practice on the move from quote to explanation, and revisit it inside every genre rather than treating it as a one-time lesson.
Ask three questions: what is your point, what from the text shows it, and why does that quote prove it? Most seventh graders skip the third question. Having students answer it out loud before writing usually fixes the weak paragraph.
Students pick a question, find a few sources, and decide which ones are trustworthy. They learn the difference between a firsthand account and an article written later, and they cite where their information came from. The goal is honest sourcing, not a long bibliography.
Students should be able to read a multi-page article or short story and write a focused response that quotes the text. They should plan and revise instead of turning in a first draft. Comfort with figurative language and author's word choice is the other strong signal.
Plan for drafting, revising, and editing as separate sittings, not one block. Revision is where the biggest growth happens, so protect that day even when the calendar is tight. Short, frequent writing tasks build stamina faster than one long essay per quarter.