Reading closely and finding evidence
Students start the year learning to back up what they say about a text. They read short stories and articles, then point to specific lines that prove their thinking.
This is the year reading and writing start asking for proof. Students back up what they think about a story or article with specific lines from the text, not just a gut reaction. Writing gets longer and more organized, with real arguments that need solid reasons behind them. By spring, students can write a multi-paragraph essay that makes a clear claim and supports it with evidence pulled from what they read.
Students start the year learning to back up what they say about a text. They read short stories and articles, then point to specific lines that prove their thinking.
Students look at how a writer puts a piece together and chooses words. They notice figurative language in stories and how an article is organized to make a point.
Students pick a focused question and pull information from several sources to answer it. They write explanatory pieces that lay out ideas clearly for a reader.
Students write argument pieces that take a position and back it up with reasons and proof from what they read. They also practice presenting their thinking out loud so listeners can follow it.
Students compare themes and ideas across different stories, poems, and articles. They also write narratives of their own, using details and a clear sequence of events.
Students sharpen grammar, punctuation, and spelling as they revise and edit their work. They take part in class discussions, listening carefully and building on what others say.
Students read a nonfiction passage, then back up their conclusions with specific lines or details pulled directly from the text. A guess doesn't count; the evidence has to be there on the page.
Students read nonfiction articles, essays, or reports and figure out why the author arranged the information the way they did. They also look at specific word choices and how those choices shape the reader's understanding.
Students read two or more sources on the same topic, then weigh what each one says to build a fuller picture. They decide which details hold up and how the sources fit together.
Students learn and correctly use the specific words that show up in textbooks, articles, and classroom discussions. In seventh grade, that means words tied to subjects like science, history, and argument writing, not just everyday conversation.
Students read nonfiction articles, textbooks, and other real-world texts on their own, without help decoding or following the ideas. The focus is on handling harder, more complex material as the year goes on.
| Standard | Definition | Code |
|---|---|---|
| Key Ideas and Details | Students read a nonfiction passage, then back up their conclusions with specific lines or details pulled directly from the text. A guess doesn't count; the evidence has to be there on the page. | PA-ELA.RI.7.1 |
| Craft and Structure | Students read nonfiction articles, essays, or reports and figure out why the author arranged the information the way they did. They also look at specific word choices and how those choices shape the reader's understanding. | PA-ELA.RI.7.2 |
| Integration of Knowledge | Students read two or more sources on the same topic, then weigh what each one says to build a fuller picture. They decide which details hold up and how the sources fit together. | PA-ELA.RI.7.3 |
| Vocabulary Acquisition | Students learn and correctly use the specific words that show up in textbooks, articles, and classroom discussions. In seventh grade, that means words tied to subjects like science, history, and argument writing, not just everyday conversation. | PA-ELA.RI.7.4 |
| Range of Reading | Students read nonfiction articles, textbooks, and other real-world texts on their own, without help decoding or following the ideas. The focus is on handling harder, more complex material as the year goes on. | PA-ELA.RI.7.5 |
Students read a story or poem carefully, then back up their ideas with specific lines or details from the text. It's not enough to guess what a story means; students show exactly where in the text their thinking comes from.
Students examine how a story or poem is built: how the author arranges events or stanzas, chooses specific words, and uses figurative language like metaphor or imagery to shape the feeling a piece leaves behind.
Students read two or more stories, poems, or plays and explain how their themes or structures are alike and different. The comparison shows how a writer's choices shape the way a story or idea lands.
Students learn the specific words writers use on purpose, like metaphors and words chosen for the feelings they carry beyond their basic meaning.
Students read full novels, stories, and poems on their own, working through complex language and ideas without step-by-step help from a teacher.
| Standard | Definition | Code |
|---|---|---|
| Key Ideas and Details | Students read a story or poem carefully, then back up their ideas with specific lines or details from the text. It's not enough to guess what a story means; students show exactly where in the text their thinking comes from. | PA-ELA.RL.7.1 |
| Craft and Structure | Students examine how a story or poem is built: how the author arranges events or stanzas, chooses specific words, and uses figurative language like metaphor or imagery to shape the feeling a piece leaves behind. | PA-ELA.RL.7.2 |
| Integration of Knowledge | Students read two or more stories, poems, or plays and explain how their themes or structures are alike and different. The comparison shows how a writer's choices shape the way a story or idea lands. | PA-ELA.RL.7.3 |
| Vocabulary Acquisition | Students learn the specific words writers use on purpose, like metaphors and words chosen for the feelings they carry beyond their basic meaning. | PA-ELA.RL.7.4 |
| Range of Reading | Students read full novels, stories, and poems on their own, working through complex language and ideas without step-by-step help from a teacher. | PA-ELA.RL.7.5 |
Students pick a position on a topic and back it up with real reasons and specific evidence from sources. The argument has to hold up, not just sound confident.
Students write a report or explanation that breaks down a real topic and presents what they know in a clear, organized way. The goal is to inform the reader, not to argue a point.
Students write stories, real or imagined, that follow a clear sequence of events. Strong details and purposeful choices in how the story unfolds are what make the writing work.
Students practice the full writing process, from planning and drafting to revising, editing, and finishing a piece. The writing fits the reason for writing and the people who will read it.
Students pick a focused question, gather information from several sources, and weave it together into a research project. The work can be a quick single-session piece or a longer project built over several days.
Students apply grammar rules, correct capitalization, punctuation, and spelling in their writing. Think of it as the editing layer: getting every sentence to say exactly what the student meant, with no mechanical errors pulling the reader's attention away.
| Standard | Definition | Code |
|---|---|---|
| Argumentative Writing | Students pick a position on a topic and back it up with real reasons and specific evidence from sources. The argument has to hold up, not just sound confident. | PA-ELA.W.7.1 |
| Informative or Explanatory | Students write a report or explanation that breaks down a real topic and presents what they know in a clear, organized way. The goal is to inform the reader, not to argue a point. | PA-ELA.W.7.2 |
| Narrative | Students write stories, real or imagined, that follow a clear sequence of events. Strong details and purposeful choices in how the story unfolds are what make the writing work. | PA-ELA.W.7.3 |
| Production and Process | Students practice the full writing process, from planning and drafting to revising, editing, and finishing a piece. The writing fits the reason for writing and the people who will read it. | PA-ELA.W.7.4 |
| Conducting Research | Students pick a focused question, gather information from several sources, and weave it together into a research project. The work can be a quick single-session piece or a longer project built over several days. | PA-ELA.W.7.5 |
| Conventions of Language | Students apply grammar rules, correct capitalization, punctuation, and spelling in their writing. Think of it as the editing layer: getting every sentence to say exactly what the student meant, with no mechanical errors pulling the reader's attention away. | PA-ELA.W.7.6 |
Students read or study the material ahead of time, then join a class discussion by responding to what others say and adding their own ideas clearly.
Students organize their spoken points so a listener can follow the argument from start to finish, with evidence that backs up each claim.
Students watch, read, or listen to different sources on the same topic, then weigh each source's main point and decide whether the speaker's angle affects what they're saying.
| Standard | Definition | Code |
|---|---|---|
| Comprehension and Collaboration | Students read or study the material ahead of time, then join a class discussion by responding to what others say and adding their own ideas clearly. | PA-ELA.SL.7.1 |
| Presentation of Knowledge | Students organize their spoken points so a listener can follow the argument from start to finish, with evidence that backs up each claim. | PA-ELA.SL.7.2 |
| Integrate Information | Students watch, read, or listen to different sources on the same topic, then weigh each source's main point and decide whether the speaker's angle affects what they're saying. | PA-ELA.SL.7.3 |
PSSA ELA is the spring summative test in reading and writing for grades 3 through 8. Students answer multiple-choice and constructed-response items aligned to PA Core ELA.
Students read harder books and articles, then back up what they say with specific lines from the text. They write three main kinds of pieces: arguments with evidence, explanations of a topic, and stories. Class discussions also get more serious, with students expected to respond to each other instead of just the teacher.
Ask one question after a chapter or article: what made you think that, and where in the text does it say so. That habit of pointing back to the page is exactly what gets graded all year. Ten minutes of this beats an hour of silent reading logs.
Three types come up again and again: an argument that takes a side and proves it, an informative piece that explains a topic clearly, and a narrative that tells a real or made-up story with strong details. Students also learn to plan, revise, and edit instead of turning in a first draft.
Many teachers start with narrative to build voice and detail, move to informative writing tied to a unit topic, and end with argument once students can handle evidence and counterclaims. Research projects fit best in the second half, after students have practiced citing sources in shorter pieces.
Two stand out: choosing evidence that actually proves the point, not just any quote from the text, and writing about theme without slipping into plot summary. Building short, repeated practice with both, instead of one big unit, tends to stick better.
Yes. Students are expected to use correct grammar, punctuation, capitalization, and spelling in finished writing. At home, the most useful step is having students read their writing out loud before turning it in, since their ear catches more than their eye does.
Students should come ready with notes or a marked-up text, listen to each other, and build on what classmates say instead of waiting for a turn to talk. Short structured protocols early in the year pay off when discussions get longer and more student-led later on.
By June, students should be able to read a tough article or short story on their own, write a clear paragraph that backs up a point with evidence from the text, and revise a draft based on feedback. Comfort with vocabulary from science and social studies reading is another good sign.
Break the reading into smaller chunks and talk about each part before moving on. Audiobooks paired with the print version also help, since hearing the words takes pressure off decoding and lets students focus on what the text is actually saying.