Imagining characters and stories
Students start the year inventing characters and short scenes from their own ideas. They pull from books they've read, places they've been, and people they know to build a story worth acting out.
This is the year theatre shifts from playing pretend to building a scene on purpose. Students come up with story ideas, shape characters, and rehearse choices before sharing the work with an audience. They also start watching plays with a sharper eye, asking what the story means and why it matters. By spring, students can plan a short scene, perform it for classmates, and explain the choices behind it.
Students start the year inventing characters and short scenes from their own ideas. They pull from books they've read, places they've been, and people they know to build a story worth acting out.
Students work in small groups to turn ideas into scenes with a beginning, middle, and end. They try out different choices, listen to classmates, and rework parts that aren't landing.
Students rehearse how a character sounds and moves. They learn to project their voice, hold a pose, and make choices on stage that an audience can read from their seat.
Students pull rehearsals together into a finished scene or short play. They make final choices about staging and props so the audience understands what the story means.
Students watch classmates and recorded performances and talk about what worked. They use a simple set of questions to give feedback and connect what they see to their own lives and to history.
Students connect what they know from real life to the stories and characters they perform. A memory, a feeling, or a moment from their own experience can shape how they play a role or build a scene.
Students look at a play or performance and ask where it came from. They connect what they see onstage to the time period, culture, or community that shaped it.
| Standard | Definition | Code |
|---|---|---|
| Synthesize and relate knowledge and personal experiences to make art | Students connect what they know from real life to the stories and characters they perform. A memory, a feeling, or a moment from their own experience can shape how they play a role or build a scene. | TH:Cn10.4 |
| Relate artistic ideas and works with societal, cultural | Students look at a play or performance and ask where it came from. They connect what they see onstage to the time period, culture, or community that shaped it. | TH:Cn11.4 |
Students brainstorm characters, settings, and scenes for a play or short performance. They turn their own ideas into a story that can be acted out.
Students take their character ideas and shape them into a short scene, making choices about what to say, how to move, and where the story goes.
Students revisit a scene or short play they have drafted, making specific changes to dialogue, movement, or character choices until the piece feels finished and ready to perform.
| Standard | Definition | Code |
|---|---|---|
| Generate and conceptualize artistic ideas and work | Students brainstorm characters, settings, and scenes for a play or short performance. They turn their own ideas into a story that can be acted out. | TH:Cr1.4 |
| Organize and develop artistic ideas and work | Students take their character ideas and shape them into a short scene, making choices about what to say, how to move, and where the story goes. | TH:Cr2.4 |
| Refine and complete artistic work | Students revisit a scene or short play they have drafted, making specific changes to dialogue, movement, or character choices until the piece feels finished and ready to perform. | TH:Cr3.4 |
Students choose a scene or monologue to perform, then explain why it fits the story and what it asks them to do as an actor.
Students practice a scene or monologue more than once, making small adjustments to voice, movement, or timing until the performance is ready to share with an audience.
Students perform a scene or character and make clear choices, like tone of voice or movement, so the audience understands the story's meaning.
| Standard | Definition | Code |
|---|---|---|
| Analyze, interpret, and select artistic work for presentation | Students choose a scene or monologue to perform, then explain why it fits the story and what it asks them to do as an actor. | TH:Pr4.4 |
| Develop and refine artistic techniques and work for presentation | Students practice a scene or monologue more than once, making small adjustments to voice, movement, or timing until the performance is ready to share with an audience. | TH:Pr5.4 |
| Convey meaning through the presentation of artistic work | Students perform a scene or character and make clear choices, like tone of voice or movement, so the audience understands the story's meaning. | TH:Pr6.4 |
Students look closely at a scene or performance and explain what they notice: which acting choices stand out and why those choices shape how the story feels.
Students explain what a scene or character means to them and back it up with something specific from the performance, like a gesture, a line of dialogue, or a set detail.
Students judge a scene or performance against a short list of criteria, then explain in a sentence or two what worked and what could be stronger.
| Standard | Definition | Code |
|---|---|---|
| Perceive and analyze artistic work | Students look closely at a scene or performance and explain what they notice: which acting choices stand out and why those choices shape how the story feels. | TH:Re7.4 |
| Interpret intent and meaning in artistic work | Students explain what a scene or character means to them and back it up with something specific from the performance, like a gesture, a line of dialogue, or a set detail. | TH:Re8.4 |
| Apply criteria to evaluate artistic work | Students judge a scene or performance against a short list of criteria, then explain in a sentence or two what worked and what could be stronger. | TH:Re9.4 |